TIME PASSING BY
The medium used by Bromhead is graphite pencil. Due to the medium used there is no overall colour in her work. I feel as if the lack of colour fits in well with the subject of the piece. Often you relate old age using the colours black, white and grey and therefore communicates elderliness well. As well as this, after more intense research I also found that within her earlier experiments within sketchbooks, that she often used some form of liquefied medium such as pen wash or acrylic. Unfortunately, I have had to make this assumption and there is no information as to what she physically used. Moreover, the medium allows her to create deep tones and soft textures which help emphasise the eyes themselves. The size of the work isn't necessarily big, but I feel as if due to the intense detail and hyperrealism it still catches the eye. There are no obvious marks or techniques used in her work other than blending to create a seamless finish.
At first I found that the content of Bromhead’s seemed mainly to be old men, but after more thorough research I was also able to find sketches of old women. Her style itself consists of only mainly drawing the eyes, and leaving the rest of the face ‘unfinished’. I like the idea of using this style as it leaves the viewer thinking there is something missing meaning wise. From the information I could find throughout my research, her work explores the idea of an anonymous aging face, making the enquiry to question what the wrinkled lines reveal, and deliberately withholding information to challenge any assumptions made.
There is a high realistic depiction within her work especially within the eyes, due to the fact that she creates her observation drawings recording from photographs (picture reference below).For me, the clear theme of her work is the mystery of old age, which links in well with my theme of ‘time passing by’.
In my opinion the specific use of graphite pencil fits in well with the style of Bromhead’s work due to the techniques created using the medium. For example, it would be a lot harder to create the smooth rhythm and blended edges she has in her work using acrylic paint or oil pastels. Luckily, there is evidence showing Bromhead using this specific medium. Moreover her website, http://carla-bromhead.tumblr.com shows her sketchbooks experiments of her development work (referenced below)
Personally, Bromhead’s work leaves me feeling incomplete – as if I don’t know everything about the individuals in the drawings and because the art works style itself appears almost ‘unfinished’ due to the outlines of the face.
The aspect of Bromhead’s work that I would like to take forward is the use of old age and leaving a message hidden within the art work. The aspect that I would like to leave behind, is the use of males within her work. Due to my previous research into Mark Santiago, and my experiments taking photos of my female relatives, I would like to keep the theme of women running through my project, to give off a more personal touch and twist. The main reason i have chosen to research into Bromhead is because of her focus on the eyes and the appearnce of the artwork being 'unfinished'. In my view, the unfinished appearance sends the message that the lives of the indiviudal are still continuing and that what makes up a person such as personality and memories from everyday life and still being made and stored away.



ARTIST RESEARCH 2 - CARLA BROMHEAD




Similarly to my previous artist research, I was unable to find out certain aspects of bromheads work and therefore felt it would be approriate to email her with various questions about her profession -
Dear Carla,
I am currently in my first year of sixth-form college studying photography and recently came across your work. For my art exam, I am focusing on the theme 'eyes' and how they don't significantly change over time but how the skin and face surrounding them does.
I was hoping you would be able to answer some of my questions about your work.
Firstly, I was wondering what initially inspired you to focus on the eyes in your drawings and why you don't add as much detail to the rest of the face, leaving only an outline?
Also, why is it that you only choose to draw men that happen to be of an older generation - are they people you personally know such as family and friends, or are they strangers?
As well as this, I was also interested in why you choose to use graphite pencil in your work and whether the media, techniques and style used has anything to do with communicating a message within your artwork?
Finally, on average how long does it take for you to complete an individual drawing, and does your artwork create any particular emotion or personal connection while you're developing your sketches?
I hope to hear back from you soon!
Yours sincerely, Lily Halliday.
Source - http://carla-bromhead.tumblr.com
Luckily, through more thorough research i was able to find a collection of photographs that she had taken.
From the caption acompanied by the photoshoot – ‘A collection of fantastic wrinklies from my travels’, it is clear that the photographs she has taken are of anonymous people she has met.
This emphasises the idea of the unfinished appearance of her work, because she doesn’t know the individual herself, and therefore cant put all the pieces together within the drawings. There will always be a piece of their life missing to her no matter what, because she doesn’t know the ins and outs of the individuals life.

Secondary Photography

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Working in the style of Bromhead, I carried out another photoshoot of my Nanny and asked her to pose in similar positions like the individuals in Bromheads photos. I also took them from various view points again, to make my photos look as similar to the artist as possible. This time I made sure to take the photos against a white backdrop, to ensure that there are no other distractions within the photo and that the whole focus is on my Grandmother and her aging face.
I also asked my Grandmother, like in Bromheads photos, to incorporate her hands by resting her face against them. I liked the idea of using aspects of the hands as they too can tell as story about a persons life. Although, I am unsure as to whether I want to full focus to be on the face, the eyes and the wrinkles and therefore don’t want any other distractions surrounding it.
I also experimented making a selection of the photographs black and white, using the grey scale effect on Microsoft Powerpoint. Again the colour connotations of grey are aging and the past and therefore work well with communicating my theme further. As well as this, I believe visually it gives the photos a lot more contrast of tone and shading making the wrinkles and blemishes on the face stand out even more.
PHOTOSHOOT REFINEMENT
I have refined my photoshoot by editing some of my favourite photos.
In my opinion, I believe the photos are alot more effective in black and white. Using the photo editer on WIX, i was able to chnage the filter of the images, but also increase the sharpness, density, contrast and shadow within the images. I found like my previous photo edits using Instagram, that the sharpening effect was very successful emphasasing the blemsihes and wrinkles already on the face.





